“A memory cast in silence, an exploration of how form can hold what we cannot say – and how we can touch what we cannot carry alone.”
Black Embrace appears as a bodily and psychological space — a concrete form that holds the unspeakable. The porous weight of plaster and the depth of black pigment create a kind of ritual gravity: the work contains pain or grief, not at a distance, but in an embrace. The title suggests both darkness and closeness. Here, the material becomes more than form — it becomes a vessel. It is a piece about collective bearing of the unbearable, where silence and substance create room for what we cannot hold ourselves. Monumental and vulnerable at once — a physical memory of the inner.
materials: plaster, pigment
